Published in Havana between 1936 and 1939, the magazine Mediodía (Midday) brought together Communists, socialists, and other progressives in the common battle against fascism, imperialism, and racism. In its editorial approach, it modeled the Communist International’s “Popular Front” strategy, adopted in 1935, of forging anti-fascist alliances beyond the ranks of the Communist movement itself. The […]
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Counter Political: Networks of (miss)information: fighting against ‘general understanding’ The publications produced from exile during the period of the military dictatorships in Latin America show an advanced awareness of the ideological and political barriers produced by the distortion or invisibilization of certain facts by the media, co-opted by the dictatorial and neo-imperial powers. The FBI (Front […]
Given the importance of literature to various forms of social cohesion, it is not surprising that the European and U.S. empires that have dominated the geopolitical existence of the insular Caribbean have not readily invested in literary infrastructure throughout the archipelago. The impact of empire on infrastructure for the production of Caribbean literatures remains underexamined […]
La Ruche, Surrealist Antifascism and the 1946 Haitian Revolution La Ruche, ‘Organe de la jeune génération,’ Journal Hebdomadaire Littéraire et Social, began in late 1945 as a cultural, literary and political revue produced by left-militant youth would go on to become some of Haiti’s most important intellectual and political actors. Members of La Ruche, such […]
Historical connections in the Global South: W.E.B. Du Bois and the Cuban Anti-racist struggle for Democracy This paper reconstructs the connections between Du Bois and Cuban intellectuals within global south struggles for anti-racist democracies. The first section shows how Du Bois connections with Cuba occurred both at the level of intellectual collectives and through interpersonal […]
Casa de Las Americas and its transcontinental network in the years of 1970-1972 During the 1920s the primary medium for activities of the cultural, artistic and political left were journals and periodicals. They served as platforms for the vanguard(-isms) in general, directing attention to other groups, initiatives, and publications. They were a gathering point; a place […]