Revolutionary Papers is a transnational research collaboration exploring 20th century periodicals of Left, anti-imperial and anti-colonial critical production. Read More
From 1971 to 1973, the nascent grassroots political organization known as Kokua Hawaii independently published and distributed Huli, a semiregular newspaper featuring radical economic analysis, community news, organizing strategies, political education, social documentary photography, and illustrated agitprop graphics. Kokua Hawaii, based on Oʻahu and active across the Hawaiian islands, was influenced by legacies of militant […]
Given the importance of literature to various forms of social cohesion, it is not surprising that the European and U.S. empires that have dominated the geopolitical existence of the insular Caribbean have not readily invested in literary infrastructure throughout the archipelago. The impact of empire on infrastructure for the production of Caribbean literatures remains underexamined […]
The Chinese translation and introduction of African literature in the journal of World Literature (1953-1966) The Chinese bimonthly journal World Literature (shijie wenxue,《世界文学》) was founded in 1953, run by the Chinese Writers’ Association. It was the only journal for translated literature in China before the 1970s. The journal was initially titled Translation (yiwen,《译 文》) [Fig.2] […]
The Namibian Review: A Journal of Contemporary South West African was first published in 1976 and came out over a decade of intensities of armed struggle and fierce debates about forms of the postcolonial future. Initially it was produced by the Namibian Review Group (known as the Swedish Namibian Association) and 14 editions were printed […]
Reading Ethiopia in Radical South African Newspapers In this paper, I make a claim for Ethiopia as hidden or overlooked revolutionary trope in South African politics and letters and trace its inscription across selected examples of popular South African newspapers. In South Africa, the idea of Ethiopia has been an important site of pan-Africanist and […]
Mazdoor Kissan Party Circular; later circulated as Proletari The Mussalli Speaks: caste, regional identity and language in the poetry of the Mazdoor Kissan Party This paper closely examines the party organ of the Mazdoor Kissan (Workers and Peasants) Party (MKP) in Pakistan, with a particular emphasis on the party’s polemical engagements with Left-wing debates around […]
Morning Watch: Prabhatam and Socialist dreams in Malayalam in the 1930s The Malayalam journal Prabhatham was launched in 1935 with the emergence of a Congress Socialist cell within the nationalist party in Kerala. From its inception it was subjected to censorship and surveillance by the colonial government as the newspaper began to create a universe of reporting […]
Toward the end of 2015, the South African student and worker movements became both increasingly fragmented by internal political differences, and demobilised by the repressive apparatuses of the state and capital. As a result, a lot of spaces for debating and strategising around free education on campuses disappeared. Additionally, a lot of energy got diverted […]
The Messenger, The Crusader and The Radical Black Imagination in the Early 20th Century This paper considers two periodicals published by black radical activists in the United States during the “New Negro” era of the early 20th century. Amid the outbreak of World War I, the Russian Revolution, and the stirring of anti-colonial movements in […]
The Journal of Black Theology in South Africa and its Contribution to the Struggle for Liberation The Journal of Black Theology in South Africa was a bi-annual academic journal which ran from May 1987 until November 1998. In a context of legislated (at least initially) anti-black racism and repression, it sought to be “a vehicle […]
Vinyl Set: Projecting and Shaping Black Futures Through Sound & Album Art Since the late 1930’s, when Columbia Records art director Alex Steinweiss invented the concept of album covers and cover art, it has become a driving force in shaping popular culture, counter-culture and collective imagination. Before the popularization of television and the advent of […]
La Ruche, Surrealist Antifascism and the 1946 Haitian Revolution La Ruche, ‘Organe de la jeune génération,’ Journal Hebdomadaire Littéraire et Social, began in late 1945 as a cultural, literary and political revue produced by left-militant youth would go on to become some of Haiti’s most important intellectual and political actors. Members of La Ruche, such […]
Digital resources for teaching and learning about revolutionary periodicals.
