Revolutionary Papers is a transnational research collaboration exploring 20th century periodicals of Left, anti-imperial and anti-colonial critical production. Read More
Published in Havana between 1936 and 1939, the magazine Mediodía (Midday) brought together Communists, socialists, and other progressives in the common battle against fascism, imperialism, and racism. In its editorial approach, it modeled the Communist International’s “Popular Front” strategy, adopted in 1935, of forging anti-fascist alliances beyond the ranks of the Communist movement itself. The […]
Mazdoor Kissan Party Circular; later circulated as Proletari The Mussalli Speaks: caste, regional identity and language in the poetry of the Mazdoor Kissan Party This paper closely examines the party organ of the Mazdoor Kissan (Workers and Peasants) Party (MKP) in Pakistan, with a particular emphasis on the party’s polemical engagements with Left-wing debates around […]
The Popular Front for the Liberation of Palestine (PFLP), an armed Marxist-Leninist Palestinian national movement, used its weekly Arabic-language organ, al-Hadaf (The Target), to demonstrate its revolutionary analytical acumen on a variety of topics, including contemporary international affairs, political theory, Zionism, and women’s liberation. However, in addition to this rich spectrum of subjects, al-Hadaf always […]
The journal Al-Fatah (“The Victory” in Arabic) published in Karachi, Pakistan from May 1970 till approximately July 1990. The periodical was produced in Urdu in the two decades it was distributed and became a major supporter of Pakistan People’s Party (PPP). The journal Al-fatah was largely socialist in terms of political inclination and critical of […]
Free Palestine was a monthly magazine published in Britain from 1968 until 1984, after which it moved to Australia from where it continued publication until 1992. The first issue of the paper in June, 1968, featured an editorial outlining its aims and positions: “As a group of Palestinian Arabs residing in the UK, we hope […]
Given the importance of literature to various forms of social cohesion, it is not surprising that the European and U.S. empires that have dominated the geopolitical existence of the insular Caribbean have not readily invested in literary infrastructure throughout the archipelago. The impact of empire on infrastructure for the production of Caribbean literatures remains underexamined […]
New Youth was the magazine of the Transvaal Indian Youth Congress, based in Johannesburg. It forms part of the broader print ecosystem of the Congress movement in the 1950s. Most of the articles in the magazine appear under pseudonyms like Spartacus, Johnny Youngman, and Leftie, though the names of TIYC members like Moosa ‘Mosie’ Moolla […]
The Early Indigenous South African Black Press: A model for decoloniality and multilingualism in journalism education This study examines how the Early South African Black Press can be used to apply notions of decoloniality and multilinguals to the teaching of journalism and society in the South African context. The study will be exploratory, and will […]
French, African, and Arab: Negotiating Post-Colonial Algerian Identity in Révolution Africaine Six months after Algeria won its independence, an unusual group of militants gathered in Algiers. Led by a Siamese-born French lawyer, Jacques Vergès, the group consisted of French and Algerian journalists, cartoonists, photographers, and militants. Their mission? To craft a new cultural and political […]
The Evening News: Where Thought and Action Converge The Evening News was established by Dr. Kwame Nkrumah and the Convention People’s Party in 1948 and served as a vehicle to expose Ghanaians and Africans to Pan-African Consciousness. As the mouthpiece of the CPP, the paper spoke directly to three main constitutes‒members, the public and fellow […]
Lail-o-Nihar | لیل و نہار, started in 1957 as a newspaper distributed weekly in Pakistan by Progressive Papers Limited publishing house … read more
Vinyl Set: Projecting and Shaping Black Futures Through Sound & Album Art Since the late 1930’s, when Columbia Records art director Alex Steinweiss invented the concept of album covers and cover art, it has become a driving force in shaping popular culture, counter-culture and collective imagination. Before the popularization of television and the advent of […]
Digital resources for teaching and learning about revolutionary periodicals.
